The Sixth Estate

scoured ephemera, pop nostalgia, first world bullshit, tube slang, pomo artifacts, the better sex, groin kicks, lost arts, crushing delusion, class acts, rome burned, etc.

About.

Ask me... anything.

artofthetitle:

New this week!

In the opening titles to Octodad: Dadliest Catch, you can thrash your freakish limbs into the very names of your creators.

Watch the Octodad: Dadliest Catch sequence on Art of the Title

allfonsocuaron:

This is why everyone who ever existed should respect Richard Linklater for eternity

Production DesignAlien (1979)

by Michael Seymour

(Source: )

(Source: wildhogs2)

 

(Source: howardstark)

wabisabiforrobots:

dinosaursandotherawesomestuff:

wabisabiforrobots:

dinosaursandotherawesomestuff:

wabisabiforrobots:

dinosaursandotherawesomestuff:

wabisabiforrobots:

dinosaursandotherawesomestuff:

wabisabiforrobots:

@dinosaursandotherawesomestuff

















"LAAAAAAAAAAAAAAWWWWWWW!"

artofthetitle:

New this week!

The Golden Age of the American B-Movie Title Sequence, Part 2: The End of the Production Code.

Read Belted, Booted and Buckled: B-Movie Title Design of the 1960s on Art of the Title

cressus:

     No one before Bernini had managed to make marble so carnal. In his nimble hands it would flatter and stream, quiver and sweat. His figures weep and shout, their torses twist and run, and arch themselves in spasms of intense sensation. He could, like an alchemist, change one material into another - marble into trees, leaves, hair, and, of course, flesh.  
     -   Simon Schama’s Power of Art. Bernini

 

(Source: alsk00)

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